Posts from the Expressions Category

This is a film about process. In the journey of developing a forthcoming piece about a global framework for urban design, I found myself compelled to create a digital interpretation of Professor Lynch’s seminal text, The Image of the City. Calling upon all of the (digital) tools available to man – i.e. the Adobe Suite, Final Cut Pro, and a Mac – I share my documentation of the four-week digital workflow in service of its creation.

Depicting the character of a place is an ongoing process for me. I have fallen into the habit of taking many pictures of static details: paving, benches, specific plant varieties. But what about the movement and more ephemeral qualities of space making?

All images by Jessica Roberts

The images and GIFs below are an exercise in experimenting with both digital sketching and motion in drawing. As I continue to develop tactics to address this investigation, new tools give ways to experiment and sketch quickly, wherever you are.

 



 

Photos by Gregory Han

Halfway across the world I find myself thinking about my AHBE Lab colleagues, wishing they were here in Tripoli, Lebanon at the International Fair of Tripoli – a phantom landscape that never realized its intended purpose due to an outbreak of civil war that began in 1975 just at the precipice of the project’s completion.

Designed in 1965 by Brazilian architect Oscar Niemeyer, the International Fair of Tripoli is the sort of public utopian modernist project we never see today, an expanse of visionary landscape intended to unite people shoulder-to-shoulder under a unifying experience intended for global audience at a massive scale. The landscape of Niemeyer is grandiose, yet immediately inclusive – firmly, yet invisibly guiding visitors through carefully articulated arteries of walkways interconnecting 15 pavilions, halls, auditoriums, and other structures at a massive scale. The invisible hand of the designer still haunts these abandon walkways.

Perhaps the closest one could imagine as the modern day equivalent of Niemeyer’s International Fair of Tripoli are the commercial campuses of Apple’s or Google’s respective headquarters, each incorporating a similar architectural vocabulary of communal spaces and pavilions, but each restrictive and redefined by their privatized intent – a pale equivalent to an era of design that embraced an internationalist, humanistic egalitarianism rather than one manufactured and guarded by capitalistic mechanisms. For that, we are all a little less well off.

This is architecture at both its most political and apolitical state, somehow both defining and erasing the lines of where and how humans of different backgrounds interact and engage with one another. Ironically, it was the last gasp of optimism before the dire pessimism of conflict swallowed the region whole, leaving the grounds abandoned for years, now to slowly fall into a state of beautiful decay (but become a playground to skaters as the sun falls, a small consolation) – a crumbling concrete reminder our best intents occasionally succumb to the worst of social forces outside a designer’s control.

 

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This Saturday I took a bike ride from Silver Lake to Long Beach via the Los Angeles River Bicycle Path. It was about a 30 mile journey, one way, with many memorable sights, sounds, and characters along the way. These images above reflect my experience and show a side of Los Angeles you don’t always get a chance to see.

All photos by Jessica Roberts

All photos by Calvin Abe

I had the opportunity to visit Biei, the northern most Japanese island of Hokkaido, for the third year in a row this past winter. Although I have never traveled to the island’s quiet and beautiful landscape in the spring or fall, photographs online tell me that the location is equally beautiful during those seasons.

As I reflect upon my last visit – already almost three months ago – I wonder what is it about this place that piques my interest and ignites a strong desire to return. Biei is a place where I return to experience silence, beauty, and the sacred. The simplicity and the quiet is surreal, unworldly and restorative. And besides, there is nothing like sitting outside in zero degree temperature in an “onsen” (hot bath) naturally sourced from a hot spring, with long distant views of nothing but rolling snow covered landscape.

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